Workshop Performance of YAPPIE: A Musical Comedy

Two months ago I officially signed on to write the book and lyrics for an original musical about Asian Americans. As of today, we are 11 days out from the workshop performance of Yappie: A Musical Comedy.

Hours before rehearsal last night I started to get nervous. My leg was twitchy; I felt my heart rate rise; I tried to control my breathing. The magnitude of this project and the urgency to get it ready by October 4 finally hit me. I’ve spent most of the past two months writing dialogue and lyrics; thinking about dialogue and lyrics (which come at the most inopportune time, like when you’re in the bathroom); editing scenes; reading scenes out loud; discussing scenes, themes, and dialogue with the creative team; reworking the storyboard; calling my sister at random times throughout the night to ask if a scene, situation, or line is funny; doubting my own sense of humor and ability to write humor; and staring at the blinking cursor on Microsoft Word for long, excruciating minutes.

I knew October 4 was coming, but I was focused on the script, trying to let a story unfold. A story I wasn’t too sure of when I first began to write it. A story I wasn’t sure I could write given my inexperience with writing plays and songs.

At some point in rehearsal last night, I hit my stride. I heard the actors breathe life into two new scenes I wrote this week, and I let myself be proud of it. I was proud of my work. Scratch that. I AM proud of my work.

Sometimes I don’t give myself enough credit. I know a lot of women who don’t; we just do the work and keep doing the work, praise or no praise. That’s not a cycle I want to continue, so I am taking up this space. I am embracing the compliments and assurances the creative team and cast send my way. I am owning this story and this experience and everything that comes with it. I’ve been full of excitement; I’ve been frustrated; I’ve been upset; I’ve silenced myself; I’ve procrastinated on grad school assignments because all I want to do is write this musical; I’ve let the doubts take over my day; I’ve been happy. And I am always grateful.

I am beyond fortunate to work with and be supported by the dream team of Roger Wu Fu + Bobby Ge + Donna Ibale. So many factors in our individual lives converged to bring us together. When I think about it, the machinations began last summer: an arts organization focused on AAPIs was in the works in which Donna was a founder; Roger and Bobby started their graduate program at Peabody; I quit my job. None of us thought we would be here right now, days away from the premiere of an original musical (maybe Donna). But here we are. And it’s exactly where I want to be.


Yappie (a combination of YAP, a young Asian professional, and yuppie) follows the story of Grace, a young Asian professional living her best life in the corporate world. Or is she? Passed over for a promotion, Grace finds herself in the unlikeliest of places: auditioning for a musical. Having spent most of her life living up to the expectations of her family, Grace begins to question who she is, what she wants, and what it means to be Asian American. Yappie: A Musical Comedy promises to be a fun journey asking hard questions about identity and stereotypes with tons of empathy, warmth, and lots of laughs. 

Story by Roger Wu Fu, Jenny C. Lares & Bobby Ge

Book & Lyrics by Jenny C. Lares | Music & Lyrics by Bobby Ge

Directed by Donna Ibale | Produced by Roger Wu Fu & Donna Ibale

Tickets: $8 General Admission, $5 for college students, Free for JHU students/faculty/staff

I’m writing a musical!

It’s been a summer of writing, collaborating, performing, being open to all possibilities, and taking chances. A year ago, I was still very lost and very much full of doubt. I binge watched tv shows to drown out my own thoughts and to avoid making any kind of decision about my future. And then, slowly, after reading books, and making myself write more consistently in my journal (and with the immense support of my family and close friends), things started to shift. Every day I felt closer to a version of myself I had lost along the way years ago. I finally put myself out there again; I put forth positive energy into the universe and now it’s coming back to me in ways I never thought possible.

I can’t remember exactly when I said this and to whom, but I said that I was interested in learning more about theatre and being part of the creative process somehow. I guess the universe was listening because I’m writing a musical. A musical!

When I was first approached about joining the creative team as the playwright and lyricist in mid-July, I thought I wasn’t “ready” as a writer to take on such a challenge. I’ve written skits for college performances before but never a full script (but now I’m remembering I technically co-wrote a play for the Philippine Culture Night at the University of Maryland many years ago. Does that count?). Writing skits or a play for a college audience as a college student is one thing. This was a bigger, more expansive project. With music, nonetheless!

My sister thought I was crazy to agree to it. Did I think I was crazy? No. It was exactly what I was looking for, and to be honest, exactly what I needed: an opportunity to challenge myself artistically and to grow as both an artist and person.

I have wanted to collaborate on an artistic project with other artists for a very long time, but it didn’t pan out for a variety of reasons. One of the visions I had for Sulu DC years ago was creating a monthly jam session for artists to connect and play together, with the hope that it could transform into actual collaborations between artists. I was not able to create that space, but now, years later, I am in that space with other artists and I am enjoying every second of it. Even the times when I’m struggling with a rhyme for a song, or I can’t seem to get the cadence or voice of a character right. Even when I keep staring at a blank page, hoping dialogue for a scene I’ve outlined will magically pop into my brain from nothing. Even those moments are worthwhile, and made even more so when I do come up with the next verse and I send it off to my creative collaborators and they love it (and even when they don’t love it).

The next couple weeks of my life (more like 8 months) is going to be hectic in the best way. I’m so honored and happy I get to work with talented, bright, driven, truly amazing people. I wouldn’t have jumped at the chance to join the project so quickly had they not been my partners in this endeavor.

The workshop performance of our musical, YAPPIE: A Musical Comedy, is slated for Friday, October 4 at 7:30 PM at the Cohen-Davison Family Theatre at the Peabody Institute of The Johns Hopkins University . Check out my Events page for more information. Like us on Facebook and follow us on Instagram for updates and behind-the-scenes look at our process.

ABOUT THE MUSICAL

Yappie (a combination of YAP, a young Asian professional, and yuppie) follows the story of Grace, a young Asian professional living her best life in the corporate world. Or is she? Passed over for a promotion, Grace finds herself in the unlikeliest of places: auditioning for a musical. Having spent most of her life living up to the expectations of her family, Grace begins to question who she is, where she belongs, and what it means to be Asian American. Written by Jenny C. Lares and composed by Bobby Ge, Yappie: A Musical Comedy promises to be a fun journey asking hard questions about identity and stereotypes with tons of empathy, warmth…and lots of laughs. 

Producer & Music Director: Roger Wu Fu

Producer & Director: Donna Ibale

Upcoming events

I’m incredibly grateful for the opportunities to perform, share my work, and advocate for the arts. Here’s where I’ll be in the next two weeks!

Tabling for the Baltimore Asian Pasifika Arts Collective at the Baltimore APA Heritage Month Celebration // Friday, May 31 // 5:00 – 9:00 PM // Brown Center, MICA // The event is FREE but advanced registration is required via Event Brite.

Judging the Capturing Fire Semifinal Poetry Slam // Friday, May 31 // 8:30 – 11:00 PM // Busboys & Poets Takoma

Hosting the Filipino American Association of Upper Chesapeake (FAAUC) 33rd Anniversary Dinner Dance // Saturday, June 1 // 7:00 PM – 1:00 AM // Richlin Ballroom, Edgewood, MD // Tickets $60 in advance

Performing a short set at Katipunan Filipino Festival // Saturday, June 8 // 11:00 AM – 5:00 PM (my performance is at 1:00 PM) // Timonium Fairgrounds // $5 tickets

The closing of Tornkid, the collaboration between Baltimore Asian Pasifika Arts Collective and Cohesion Theatre Company // Sunday, June 9 // 4:00 PM // 923 S East Avenue, Baltimore // Tickets are Pay What You Can available online and at the door